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The use of interlace patterns had its origins in the artwork of the in the dead of night Roman Empire.Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of with the intention of time. Fascinating developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination, Coptic fine art, Celtic fine art, Islamic fine art, Medieval Russian book illumination, Ethiopian fine art, and European architecture and book illumination.

Spirals, step patterns, and key patterns are dominant motifs in Celtic fine art former to the Christian influence on the Celts, which started around 450 A.D. These designs found their way into ahead of schedule Christian manuscripts and artwork with the addition of depictions from go, such as animals, plants and even humans. In the beginning, the patterns were intricate interwoven cords, called plaits, which can also be found in other areas of Europe, such as Italy, in the 6th century. A fragment of a Gospel Book, now in the Durham Cathedral library and made in northern Britain in the 7th century, contains the earliest example of right knotted designs in the Celtic manner.

Examples of plait work (a woven, constant cord design) predate knotwork designs in several cultures around the world, but the broken and reconnected plait work with the intention of is characteristic of right knotwork started in Northern Italy and Southern Gaul and spread to Ireland near the 7th century.The style is most commonly associated with the Celtic lands, but it was also adept extensively in England and was exported to Europe near Irish and Northumbrian monastic activities on the continent. In present times Celtic Fine art is popularly thought of in stipulations of inhabitant identity and consequently specifically Irish, Scottish or Welsh.